Elevated on a stage in the center of a room, illuminated by the harsh glare of a spotlight, stands a figure.
He clutches a staff, props his foot on a chair, lengthens his torso.
Beep. Beep. Beep.
A timer on the corner of the stage signals it’s time for a change. The man stretches a bit and contorts himself into another position, giving a varied perspective of the human form.